The tale of a mother who poses as her son's estranged father in letters, yet eventually has to enlist a stranger to play the role, director Shona Auerbach's intimate indie became a film festival perennial. Given the movie's tearjerker tendencies, its musical score becomes an even more crucial component of its deft, if relatively non-manipulative dramaturgy. Young composer Alex Heffes more than rises to the occasion, providing a delicate score fueled by spare, elegant piano and emotionally-longing string arrangements. Heffes work here mines the same intimately scaled, soulfully resonant vein as Rachel Portman's Oscar-nominated music for Lasse Hallstrom's Ciderhouse Rules and Chocolat, a skillful musical tack that's openly emotional, yet seldom cloying. The contributions of modern rockers Clarksville (the buoyant "Everyone Will Have Their Day" and more intimate ballad "Reprise") and singer-songwriters Obi and Jesse Harris organically mesh with Heffes' score in a way that's all to rare in an era where pop songs often contribute little more than marketing shuck to film projects. --Jerry McCulleyPrice: $69.99
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